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38 Temples Saigoku

Kakemono, unique work, 195 x 67 cm
Product number: 4427

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 195 cm
  • Width 67 cm
  • Item Type Kakemono
  • Jikusaki Metal
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
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No longer available

Description

At the center of this unusual hanging scroll is a depiction of the Bodhisattva Kannon highlighted in gold, surrounded by numerous handwritten entries and red temple stamps. This is a so-called Nōkyōchō scroll, of the kind pilgrims had made on their way to the temples of the 38 Temples Saigoku pilgrimage: each temple visited left behind calligraphy and a seal as proof of the visit, so that over time a personal, spiritual document of the entire pilgrimage through 38 temples came into being.

The work dates from the Shôwa period (1926–1989) and was created by hand on silk, with the many small stamps and inscriptions possessing a remarkable depth of detail and historical authenticity. Such pilgrimage scrolls survive only rarely today, as they mostly remained in family possession for generations rather than entering the trade.

The roller rods are fitted with metal ends. For collectors of religious Japanese art and pilgrimage culture, this kakemono represents a rare, historically significant testimony that goes far beyond a purely decorative image.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.