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Accessories

Accessories

Fuchin, jikusaki, tomobako, and empty shikishi mounts: traditional accessories for the proper presentation, storage, and personal design of Japanese kakemono and shikishi.

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This category brings together traditional accessories related to Japanese hanging scrolls (kakemono) and shikishi panels. Fuchin are decorative weights that are attached to the bottom end of a kakemono so that it hangs straight and still when displayed. Jikusaki are the end knobs of the roller rod, usually made of wood, ceramics, imitation ivory, or lacquer, giving the kakemono a decorative finish. Tomobako are custom-made wooden boxes for protective storage, and empty shikishi mountings are framings for the square shikishi panels on which calligraphy or small-format painting is executed. At densho.de you will find a selected range of accessories of this kind sourced directly from Japan.

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Why Accessories Play a Crucial Role for Kakemono and Shikishi

A Japanese hanging scroll or a shikishi panel lives from the care with which it is presented, transported, and stored. For this handling to succeed over years and decades, suitable, traditionally proven accessories are needed. In this category you will find four central elements of Japanese presentation and storage culture: fuchin, jikusaki, tomobako, and empty shikishi mountings – each with its own function that has evolved over centuries.

Fuchin: Decorative Weights for a Calm Hang

Fuchin are small weights, usually used in pairs, that are attached to the lower roller rod of a kakemono. Their purpose is first of all practical: they ensure that the hanging scroll hangs straight and does not sway due to drafts or slight vibrations. At the same time, fuchin are themselves small art objects – often made of metal and fitted with tassels, small bells, or filigree ornaments, so that they lend the kakemono an additional, subtle decorative accent. In the tea ceremony and on particularly representative occasions, the choice of fuchin is deliberately matched to the motif or occasion of the respective kakemono.

Jikusaki: The End Knobs of the Roller Rod

Jikusaki refers to the two end knobs on the lower roller rod of a kakemono, which protrude visibly on the sides. They form the decorative finish of the hanging scroll and are made from a wide variety of materials, such as wood, ceramics, lacquer, or imitation ivory, with the material and workmanship often corresponding to the value and occasion of the respective kakemono. On particularly high-quality or antique hanging scrolls, the jikusaki are often a distinct quality feature in their own right, since their workmanship, shape, and choice of material allow conclusions to be drawn about the care taken in the entire mounting of the work.

Tomobako: The Traditional Storage Box

The tomobako is a plain box, usually made of pine or cedar wood, often hand-inscribed with the title, artist's name, and date of creation of the work. It reliably protects the rolled-up kakemono from light, dust, and moisture, and in the case of antique pieces it is often a distinct detail for collectors, since the inscription can provide valuable information about provenance. In traditional Japanese households it was long considered a matter of course that every kakemono was delivered with a specially made, perfectly fitting tomobako – a custom that continues to be observed today for high-quality works.

Empty Shikishi Mountings: The Frame for Your Own Calligraphy and Painting

Shikishi are square, sturdier cardboard panels on which calligraphy, short poems, or paintings are traditionally executed – a more compact alternative to the kakemono, particularly suited to smaller formats and more spontaneous artistic work. Our empty shikishi mountings are matching mountings for such panels and are aimed both at collectors who wish to present an already existing shikishi work in a stylish way, and at anyone who is active in calligraphy or painting themselves and would like to display their own work afterward in a traditional mounting. The mounting deliberately takes a restrained role, drawing attention to the actual calligraphy or painting at the center.

Accessories as an Expression of Care and Appreciation

In the traditional Japanese view, the care with which an art object is handled, transported, and stored is itself an expression of appreciation for the work and its creator. A kakemono without suitable fuchin hangs restlessly, without clean jikusaki it appears incomplete, and without a tomobako it remains unprotected in the long run. A shikishi work, too, only attains its complete, dignified form of presentation through a matching mounting. Anyone who invests in high-quality accessories thereby directly contributes to preserving the value and the appropriate effect of their collection.

Equip your kakemono and shikishi with the matching, traditional accessories – for a presentation that does justice to the work, and a form of storage that preserves it for generations.

Frequently asked

A fuchin is a small weight, usually used in pairs, that is attached to the lower end of a hanging scroll so that the hanging scroll hangs calmly and straight, instead of being set swinging by drafts or slight vibrations. At the same time, fuchin are often themselves artfully crafted, for instance with tassels or filigree metal ornaments, lending the hanging scroll an additional decorative accent.
A tomobako is a custom-made wooden box for the protective storage of a hanging scroll, usually made of pine or cedar wood and often bearing handwritten information about the artist, title, and date of creation. It reliably protects the hanging scroll from light, dust, and moisture, and in the case of antique works, it also serves as an important document of provenance.
Shikishi mounts are mountings for shikishi, square cardboard panels traditionally used for calligraphy or small-format painting. Our mounts are offered empty, making them suitable both for presenting existing shikishi works and for your own calligraphic or painting projects.
Yes, the empty mats are intentionally left open and are aimed, among others, at people who practice shodō or painting themselves and want to present their finished work afterward in a stylish and tradition-appropriate way. The square shikishi format is a distinct, compact format alongside the classic kakemono.
Shikishi boards mostly follow standardized sizes, so suitable mats can generally be matched reliably. If in doubt, we recommend comparing the dimensions of your shikishi board with the specifications of the respective mat before purchase.
Not necessarily, but especially with larger kakemono or those hung in draftier rooms, fuchin ensure a noticeably calmer, cleaner hang. On formal occasions such as the tea ceremony, matching fuchin also traditionally belong to the complete, dignified presentation of the work.
It can document the artist's name, the title of the work, the year of creation, or previous owners, and is thus often an important indication of provenance that further reinforces the collector's value of a kakemono. On particularly old boxes, seals of former art dealers or collectors can sometimes also be found.
Usually of lightweight, breathable softwood such as pine or cedar, which regulates moisture and has proven especially suitable over centuries for the long-term storage of paper and silk objects.