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Autumn Landscape with Bridge

Kakemono, unique work, with box, 170 x 55 cm
Product number: 5903

Sold – no longer available

This piece was handmade by Momori Okamoto and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 170 cm
  • Width 55 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Silk
  • Period of Creation Meiji (1868–1912)
  • Technique Hand-Painted
  • Unique Work Yes
  • Wooden Box Yes
Signature / Stamp:
Momori Okamoto
Sold

No longer available

Description

A curved wooden bridge crosses a calm waterway, lined with brilliant red and golden-yellow maple trees, while in the background a thatched-roof house with a water wheel and distant villages blur into a soft haze. The warm palette of orange, red, and yellow tones captures the atmospheric mood of a Japanese autumn day, in which man and nature come together in harmony.

The hanging scroll bears the signature and seal of the painter Momori Okamoto and was hand-painted on silk during the Meiji period. It is delivered including the signed wooden box, which further documents the provenance and the careful handling of the work across generations.

With its richly detailed, narrative composition, this kakemono is excellently suited to bringing a warm, rural mood into the home in autumn, but thanks to its painterly quality it also unfolds its appeal year-round. For collectors of classical Japanese landscape painting, this unique work is a particularly appealing example.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.