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Bamboo, Chrysanthemum and Sakura

Kakemono, unique work, 167 x 50 cm
Product number: 4828

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 167 cm
  • Width 50 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Meiji (1868–1912)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

In fine, loosely applied ink washes, this hanging scroll unites three of the most popular plant motifs of Japanese painting: chrysanthemums in bloom in the upper section, slender bamboo stalks in the middle of the composition, and budding blossom branches along the lower edge, gently leading the eye downward. The three plants grow as if naturally intertwined from a shared central axis of the composition.

The three motifs each stand for their own virtues – constancy and resilience in the case of bamboo, longevity in the case of the chrysanthemum, and awakening and renewal in the case of the blossoms – and together form an evocative composition suggesting the changing of the seasons. Two signatures with red seals, one beside the chrysanthemums and one beside the blossom branches, may point to a collaborative work by two artists.

The painting is done on paper, fitted with a wooden jikusaki, and dates from the Meiji period. The restrained coloring, kept in shades of gray, lends the hanging scroll a calm, elegant presence. A versatile motif for admirers of classical Japanese plant painting and traditional symbolism.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.