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Bee

Kakemono, unique work, 195 x 61 cm
Product number: 6033

Sold – no longer available

This piece was handmade by Syunsui Kawabata and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 195 cm
  • Width 61 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Silk
  • Period of Creation Meiji (1868–1912)
  • Technique Hand-Painted
  • Unique Work Yes
Signature / Stamp:
Syunsui Kawabata
Sold

No longer available

Description

Wisteria vines hanging down from above with delicate pale purple clusters of blossoms dominate the composition of this hanging scroll, while on the right a small bee hovers in flight toward the flowers. The leaves are rendered in varying shades of green with fine, darker veining, lending the painting a natural vividness. The reduced, almost sketch-like rendering of the bee stands in appealing contrast to the detailed depiction of the blossoms.

The work, painted on silk, bears the signature and seal of the artist Syunsui Kawabata and dates from the Meiji period. The Jikusaki made of bone completes the high-quality, traditional mounting of the hanging scroll. Motifs from fauna and flora such as this one are among the classic themes of Japanese hanging scroll painting and are frequently associated with the seasons, here with spring, when wisteria blooms.

The combination of insect and blossom often stands for the fleeting happiness of the moment in the Japanese pictorial tradition. Collectors of kacho-ga, classical bird-and-flower painting, as well as lovers of fine botanical depictions will take delight in this piece from the Meiji period.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.