Skip to main content Skip to search Skip to main navigation

Bird and Moon Landscape (Set of 2)

Kakemono, unique work, with box, 177 x 48 cm
Product number: 5921

Sold – no longer available

This piece was handmade by Masataka Shimada and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

You might like these pieces

Details about the sold piece

  • Height 177 cm
  • Width 48 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Meiji (1868–1912)
  • Technique Hand-Painted
  • Unique Work Yes
  • Wooden Box Yes
Signature / Stamp:
Masataka Shimada
Sold

No longer available

Description

This two-part set of Japanese hanging scrolls dates from the Meiji period and unites two complementary mood pictures: on one scroll, the full moon rises above a mist-shrouded landscape with trees and a bridge, while on the other, a small yellow bird sits singing on a flowering camellia branch, beneath which hangs a ripe fruit.

The two pictures complement each other in their pictorial language: while the moon landscape creates a quiet, nocturnal atmosphere with restrained ink wash, the colorful bird brings life and sound to the composition with its warm yellow and red blossom accents. This interplay of stillness and song is a popular compositional principle in paired hanging scrolls in Japanese painting.

Both scrolls bear the signature or seal of Masataka Shimada and are supplied with a specially signed wooden box. Painted on paper and mounted on wooden roller rods, these two hanging scrolls form a harmonious ensemble for collectors interested in paired pictorial compositions in the art of Japanese hanging scrolls.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.