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Bird in Blossoming Plum Branch

Kakemono, unique work, with box, 194 x 45 cm
Product number: 5597

Sold – no longer available

This piece was handmade by Yasuyama Tachiwaki and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 194 cm
  • Width 45 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
  • Wooden Box Yes
Signature / Stamp:
Yasuyama Tachiwaki
Sold

No longer available

Description

On a gnarled, wide-spreading branch covered all over with delicate white blossoms sits a yellow-feathered bird, gazing attentively to the side. The blossoming branches trace elegant curves across the entire height of the image, lending the composition a calm, almost dance-like dynamic.

The white blossoms with their fine red stamens are typical of the plum tree, which flowers early in the year and whose sight has long been celebrated in Japan as the first sign of approaching spring. The painting bears the signature of Yasuyama Tachiwaki, whose calm, precise brushwork is evident in the finely rendered branches and blossoms.

This kakemono comes in a signed wooden box and is painted on silk, mounted with roller rods made of bone and in plain, light-colored fabric. An evocative unique work from the Shôwa period that captures the anticipation of spring in a quiet, poetic visual language.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.