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Bird on a Maple Branch

Kakemono, unique work, with box, 190 x 40 cm
Product number: 5965

Sold – no longer available

This piece was handmade by Suma Natsugo and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 190 cm
  • Width 40 cm
  • Item Type Kakemono
  • Jikusaki Sculpture
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
  • Wooden Box Yes
Signature / Stamp:
Suma Natsugo
Sold

No longer available

Description

A small bird with iridescent blue plumage sits on a winding maple branch, its leaves in tones of red and orange announcing autumn – a motif full of lightness that shows Japanese bird-and-flower painting (Kachō-ga) at its finest. The coloring is subtly graduated, from the deep blue of the back to the warm rust-red of the breast, while the delicately painted leaves hang from the branch in varying stages of ripeness, lending the composition a natural sense of movement.

The painting is executed on silk and bears the signature and seal of the painter Suma Natsugo. It was created in the Shôwa period, when many artists consciously turned back to classical themes of nature painting. The scroll mounting ends with jikusaki tips made of synthetic material.

This evocative kakemono is delivered including a signed wooden box (tomobako) – a piece whose calm, seasonal scenery comes into its own both in a traditional tokonoma and as a decorative element in a bright, modern room.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.