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Bird on a Persimmon Tree

Kakemono, unique work, with box, 200 x 40 cm
Product number: 5899

Sold – no longer available

This piece was handmade by Umeseki Kawashima and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 200 cm
  • Width 40 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
  • Wooden Box Yes
Signature / Stamp:
Umeseki Kawashima
Sold

No longer available

Description

A small bird with brightly colored turquoise plumage sits attentively on a gnarled branch of a persimmon tree, rendered in soft shades of gray. The contrast between the delicate blue-turquoise of the bird and the restrained ink drawing of the branches lends the composition a particular lightness, while the sparse, deliberately placed coloring leaves the image with a great sense of calm and spaciousness.

The hanging scroll bears the signature and seal of the painter Umeseki Kawashima and was hand-painted on silk during the Shôwa period. It is delivered including the accompanying wooden box, which served for proper storage and protection of the delicate artwork.

With its clear, almost minimalist visual language, this kakemono fits well into a restrained, understated interior and unfolds a particularly calm effect in the tokonoma. For lovers of Japanese bird painting with a reduced color palette, this hand-painted unique work is a fitting choice.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.