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Bird on a Rose Branch

Kakemono, unique work, 187 x 47 cm
Product number: 6100

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 187 cm
  • Width 47 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
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No longer available

Description

The painter created this hanging scroll, "Bird on a Rose Branch", in delicate, muted colors: a small rice bird with black-and-white head plumage balances on a swaying branch whose pale pink rose blossoms stand in full bloom. The composition draws its life from the calm of the bird, its head slightly lowered, as if contemplating the splendor of blossoms at its feet – a typical motif of kachō-ga, traditional Japanese bird-and-flower painting.

In Japanese pictorial language, roses are regarded as a symbol of grace and constancy, while the small bird stands for lightness and quiet observation. The brushwork is finely graduated, from the delicate glazes of the petals to the clear, dark lines of the plumage, lending the scene a pleasing depth.

The painting is mounted on blue silk with a narrow gold border, a restrained, classic mounting that does not draw attention away from the motif. The hanging scroll dates from the Shôwa period and is well suited, in quiet living spaces or as a small floral accent, for lovers of traditional Japanese painting.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.