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Blossoms in Moonlight

Kakemono, unique work, 200 x 44 cm
Product number: 6098

Sold – no longer available

This piece was handmade by Okamoto Tohiyoko and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 200 cm
  • Width 44 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Silk
  • Period of Creation Meiji (1868–1912)
  • Technique Hand-Painted
  • Unique Work Yes
Signature / Stamp:
Okamoto Tohiyoko
Sold

No longer available

Description

Against the soft, round disk of a rising moon, a flowering branch with jagged leaves and delicate white blossoms stands out in silhouette, on which two small birds have settled. The high-contrast juxtaposition of dark foliage and the brightly glowing moon lends the composition a quiet, almost poetic depth that is typical of classical Kacho-ga painting. The fine details of the blossoms and the calm interplay of the birds make the scene appear especially lively.

The kakemono, painted on silk, bears the signature and seal of the artist Toyohiko Okamoto (岡本豊彦) and dates from the Meiji period. The Jikusaki made of bone completes the high-quality, traditional mounting of the hanging scroll. Moon motifs combined with blossoms and birds are among the most poetic themes in Japanese painting and often stand for the quiet beauty of the night as well as for the changing of the seasons.

Collectors of classical bird-and-flower painting as well as lovers of quiet, atmospheric compositions will take particular delight in this finely painted kakemono from the Meiji period.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.