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Butterfly Over Peony Blossoms

Kakemono, unique work, with box, 200 x 53 cm
Product number: 6291

Sold – no longer available

This piece was handmade by Ryokuro and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 200 cm
  • Width 53 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
  • Wooden Box Yes
Signature / Stamp:
Ryokuro
Sold

No longer available

Description

A fascinating moment of fleeting beauty is captured in this elegant kakemono by the artist Ryokuro from the Japanese Showa period. The masterfully executed scene shows a delicate butterfly gracefully hovering over lushly blooming peonies. The combination of deep red and brilliant white blossoms unfolds a particularly powerful yet harmonious effect on the fine, high-quality silk.

The impressive fineness and attention to detail of the painting testifies to the artist's great craftsmanship. Each blossom appears vivid and in full bloom, while the careful, nuanced coloring and flowing linework bathe the scene in a gentle, poetic light. As a special feature, the valuable jikusaki made of bone further underscore the exquisite character of this handcrafted one-of-a-kind piece.

Whether as the highlight of a tastefully furnished room or as a precious collector's item – this kakemono invites one to pause and appreciate the beauty of the moment. Lovers of traditional Japanese painting and all those seeking a piece of quiet, subtle elegance will find here a work of art that creates atmosphere and leaves a lasting impression.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.