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Calligraphy – A Good Year

Kakemono, unique work, 202 x 41 cm
Product number: 3325

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 202 cm
  • Width 41 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
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No longer available

Description

With four characters generously distributed across the paper, this calligraphy wishes the viewer a good, uneventful year, a motif that was traditionally painted and given as a gift at the turn of the year in Japan.

The brushwork is fluid and confident, the characters appear to have been written in a single stroke, lending the wish a spontaneous, heartfelt quality. Calligraphies of this kind were regarded as a blessing for health, peace, and a quiet year free of unfortunate incidents.

Framed by an understated border and mounted on paper with wooden jikusaki, this kakemono was presumably created in the Shôwa period and can still be unrolled on the wall today as an evocative New Year's greeting.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.