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Calligraphy: Bamboo and Blossom

Kakemono, unique work, 200 x 50 cm
Product number: 4760

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 200 cm
  • Width 50 cm
  • Item Type Kakemono
  • Jikusaki Sculpture
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

The bamboo, which remains unwaveringly green over the centuries, and the blossom, which shines forth for only a fleeting moment – this classic pairing of images from a Chinese poem forms the conceptual core of this calligraphy, setting permanence against transience, a motif deeply rooted in East Asian contemplation of nature and philosophy of life. Even a first glance at the two short lines of text makes clear how much meaning can be contained in a few characters.

In a powerfully flowing cursive script, the so-called Sōsho style, the calligrapher sets the characters onto the cream-colored paper with confident momentum, with density and openness of the strokes alternating rhythmically and lending the sheet a palpable dynamism. The signature and red seal at the left edge of the image complete the composition and lend it authenticity.

Executed on paper and fitted with a jikusaki made of plastic, this work dates from the Shōwa period. For lovers of classical Chinese-Japanese literature and calligraphic art, this hanging scroll is a thought-provoking addition to living or work spaces that invite quiet contemplation and pause.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.