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Calligraphy "Chû" (Center) by Kyosho Mizutani

Kakemono, unique work, with box, 167 x 38 cm
Product number: 5804

Sold – no longer available

This piece was handmade by Kyosho Mizutani and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 167 cm
  • Width 38 cm
  • Item Type Kakemono
  • Jikusaki Ceramics
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
  • Wooden Box Yes
Signature / Stamp:
Kyosho Mizutani
Sold

No longer available

Description

Powerful, almost archaic brushwork characterizes this hanging scroll: a single, large-format character fills the picture area with dynamic, broad strokes, complemented by a smaller, finely structured sequence of characters at the left edge. The ink work draws its life from strong contrasts between dense black and the light paper ground, conveying an immediate, almost physical energy.

The hanging scroll bears the signature and seal of Kyosho Mizutani, a calligrapher of the Shōwa period, whose hand is distinguished by a confident, restless brushstroke. Such single-character calligraphies are among the most demanding disciplines of Japanese ink art, since every stroke must be placed without correction and immediately reveals the inner state of the writer.

The work is executed on paper and is delivered including the accompanying, signed wooden box (tomobako), which documents authenticity and provenance. For collectors of Japanese calligraphy and all who appreciate powerful, meditative wall art, this hanging scroll is an impressive unique work with an unmistakable character.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.