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Calligraphy "Dream"

Kakemono, unique work, with box, 166 x 32 cm
Product number: 5966

Sold – no longer available

This piece was handmade by Fujii Dou and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 166 cm
  • Width 32 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
  • Wooden Box Yes
Signature / Stamp:
Fujii Dou
Sold

No longer available

Description

With just a few sweeping brushstrokes, this kakemono captures the character 夢 – "dream" – executed in the flowing sōsho style, in which individual strokes can barely be distinguished from one another and the movement of the hand itself becomes the content of the image. Despite its power, the calligraphy appears light and floating, almost as though the character itself were still in motion, which further underscores the meaning of the word.

The work bears the signature and seal of the calligrapher Fujii Dou and dates from the Shōwa period. The support material is paper, and the scroll mounting is fitted with jikusaki ends made of wood, a classic and restrained execution that directs the focus entirely to the characters.

The work is delivered including a signed wooden box (tomobako). As a kakemono in the tokonoma or as a powerful calligraphic accent in a minimalistically furnished room, the character for "dream" unfolds its quiet, contemplative effect.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.