Skip to main content Skip to search Skip to main navigation

Calligraphy: Homage to Kannon Bodhisattva

Kakemono, unique work, 216 x 60 cm
Product number: 4459

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

You might like these pieces

Details about the sold piece

  • Height 216 cm
  • Width 60 cm
  • Item Type Kakemono
  • Jikusaki Metal
  • Material Honshi Paper
  • Period of Creation Meiji (1868–1912)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

With a few powerfully placed brushstrokes in the cursive Sōsho style, this calligraphy pays homage to the Bodhisattva Kannon, who is also known as Kanzeon in Japanese Buddhism and called Avalokiteshvara in India. The flowing, merging strokes convey a particular dynamism and make the spiritual veneration underlying the text immediately palpable.

The work was created in the Meiji period (1868–1912); it was entirely hand-painted on paper. Formulas of veneration for Kannon, the Bodhisattva of compassion, are among the common themes of religious calligraphy in Japan and were often created by Buddhist monks or educated laypeople as an expression of personal piety.

The roller rods are fitted with metal ends. This kakemono is suited to collectors interested not only in pictorial art but also in the spiritual and calligraphic tradition of Japan, and its energetic brushwork lends a particular presence to any room.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.