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Calligraphy "Namu Amida Butsu"

Kakemono, unique work, with box, 187 x 58 cm
Product number: 5398

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 187 cm
  • Width 58 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
  • Wooden Box Yes
Sold

No longer available

Description

"Namu Amida Butsu" – the invocation of the Buddha Amitabha – stands at the center of Japanese Pure Land devotion (Jōdo-shū) and is recited by believers as a plea for rebirth in the Western Paradise. In powerful, flowing characters, this kakemono gives immediate expression to the writer's religious devotion, with each character set down with confident, calm momentum.

The ink characters stand clearly contoured against a warm, iridescent golden-brown paper ground, accompanied by a small signature and red seal. The mounting on silk and the overall calm, solemn impression point to a work of the Shōwa period, one that seems dedicated more to contemplation than to loud display.

The kakemono comes in a wooden box (tomobako) signed by the artist and is fitted with wooden roller ends; the border in warm earth tones blends harmoniously into the overall impression. A quiet, dignified piece for the domestic devotional space or for collectors of Buddhist calligraphy, equally suited as a retreat for moments of stillness.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.