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Calligraphy "Snow"

Kakemono, unique work, with box, 118 x 48 cm
Product number: 6446
  • Height 118 cm
  • Width 48 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
  • Wooden Box Yes
Signature / Stamp:

€470.00

Available, delivery time: 1-3 Days

Description

In this expressive calligraphy, the character "Snow" (雪) unfolds in a powerful yet supple brush movement. The deep black ink forms a tense contrast with the light paper ground and makes the character's nature almost physically palpable. The dynamic lines shift between dense, rich areas and finely trailing brush traces – a play that captures the natural lightness of falling snow as much as its silent weight.

To the left of the main character are elegant secondary inscriptions, whose calm ductus harmoniously complements the expressive main form. The red seals – among them the stamp of Takeda Masuyoshi, a high-ranking cleric of the Rinzai school (Kennin-ji lineage) – set additional accents and visually balance the composition. The interplay of script, seals, and empty space shows a deep familiarity with Zen aesthetics, in which reduction, clarity, and inner concentration play a central role.

Executed on paper and fitted with a jikusaki of wood, the work comes with a signed wooden box that attests to its origin and authenticity. This careful storage underscores the meditative character of the calligraphy and makes it an impressive example of Japanese calligraphic art, expressing the meaning and spirit of a single character in pure form.

Frequently asked

Yes, this work is delivered with a wooden box.
Yes, this piece carries the signature or seal of Takeda Masuyoshi
Based on the previous owners' information and the condition of the object we place it broadly in the Shôwa (1926–1989) period, but cannot give a precise date.
Yes, this piece is a genuine handcrafted original that exists only once.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.

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