Skip to main content Skip to search Skip to main navigation

Calligraphy: Trust in Heaven

Kakemono, unique work, 117 x 50 cm
Product number: 4768

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

You might like these pieces

Details about the sold piece

  • Height 117 cm
  • Width 50 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

Four powerful, thickly applied characters fill almost the entire pictorial surface of this kakemono and immediately draw the eye – an expression of calligraphic self-assurance that makes the meaning of the text immediately palpable and leaves the viewer little room to look away.

The message, that one should do what is necessary and leave the rest to heaven, unites pragmatic wisdom of life with a quiet serenity toward what lies beyond human control – a thought deeply rooted in East Asian philosophy that has lost nothing of its relevance to this day. The strong, slightly angular brushstrokes further underscore the resoluteness of this statement.

Signed and bearing a red seal, the work is painted on paper, mounted with a wooden jikusaki, and dates from the Shôwa period. The brilliant gold-colored mounting fabric further enhances the effect of the dark ink. An expressive piece for anyone who values calligraphic wisdom of life as wall décor.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.