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Calligraphy for the Tea Ceremony

Kakemono, unique work, 186 x 40 cm
Product number: 3706

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 186 cm
  • Width 40 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

Wa, Kei, Sei, Jaku – harmony, respect, purity, and tranquility: these four characters form the central motif of the Japanese tea ceremony and were rendered here in a bold, flowing hand on light-colored paper. The brush moves with visible momentum from character to character, individual strokes flowing into one another and lending the entire composition a remarkable vitality.

The slightly frayed line endings and the varying ink intensity reveal the practiced hand of a calligrapher who has evidently written these four terms often, without losing any spontaneous force in the process. A small signature and two red seals at the left edge of the work complete the piece. Scattered fine traces of age in the paper underscore the authentic, time-worn character of this piece.

The calligraphy on paper is framed by a warm, gold-colored silk border with a delicate vine pattern and dates to the Shôwa period. As a maxim for the tea ceremony, this text is among the best-known formulas of Japanese aesthetics and is thus particularly suited to collectors interested in the quiet, focused world of chanoyu.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.