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Chawan and Tea Whisk

Kakemono, unique work, 184 x 54 cm
Product number: 4721

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 184 cm
  • Width 54 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Meiji (1868–1912)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

In the lower half of this hanging scroll, the painter sketched a Japanese tea bowl and its accompanying tea whisk with a few confident ink strokes – loosely thrown down and yet carried by great powers of observation, complemented by a few delicately blooming grasses at the edge of the image. The reference to the tea ceremony, Chanoyu, turns the motif into a quiet symbol of mindfulness and simple beauty in everyday life.

Above the painting rises a line of cursive calligraphy, whose flowing brushwork echoes the calm brush movement of the drawing below and unites both pictorial levels into a coherent whole. Red seal impressions next to the signature confirm the artist's authorship and give the sheet its individual character, while the shimmering blue-green border lends the overall composition a calm, refined mounting.

This unique work, painted on paper, dates from the Meiji period and is mounted on a wooden rod, as is customary for traditional kakemono. Anyone interested in Japanese tea culture or looking for an evocative wall image with a connection to Chanoyu will find in this hand-painted hanging scroll a particularly personal piece of Japanese art, unusual in its choice of motif.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.