Skip to main content Skip to search Skip to main navigation

Crane Before the Rising Sun

Kakemono, unique work, 200 x 61 cm
Product number: 3971

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

You might like these pieces

Details about the sold piece

  • Height 200 cm
  • Width 61 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

Reverently raising its head toward the rising sun, a single crane stands on a rock above foaming waves. The bold red disk above it is painted in delicate gradations from orange to pink and forms a strong contrast to the pure white of the plumage and the deep black tail feathers of the bird. Along the lower edge of the image, stylized, golden shimmering wave lines suggest the sea.

In Japan, the crane is regarded as a symbol of longevity, good fortune, and constancy; its association with the rising sun further reinforces the meaning of new beginnings and hope. The painting on silk was created in the Shôwa period and shows the care typical of this motif in rendering feather structure and posture. The picture support rests on a wooden rod, framed by an elegant brocade border interwoven with floral scrollwork.

This kakemono combines classical symbolism with a clear, calming visual language and is suitable both as a gift for special occasions and as a decorative element for lovers of traditional Japanese hanging scroll art.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.