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Crane in Flight

Kakemono, unique work, 195 x 42 cm
Product number: 6107

Sold – no longer available

This piece was handmade by Niwa Gyokuni and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 195 cm
  • Width 42 cm
  • Item Type Kakemono
  • Jikusaki Sculpture
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Signature / Stamp:
Niwa Gyokuni
Sold

No longer available

Description

With wings outstretched, a single crane rises into the empty pictorial space of this kakemono – a moment of pure movement captured by the painter in a few precisely placed brushstrokes. The largely unpainted background heightens the effect of the bird, whose wings seem about to leave the edge of the picture in the next instant.

The crane is one of the most significant symbols of good fortune in Japan, representing longevity, grace, and a high, unattainable flight – an emblem that has inspired painters of the most diverse schools for centuries. The reduced visual language of this work, focused entirely on line and movement, points to a confident, practiced hand.

The kakemono bears the signature and seal of Niwa Gyokuni and dates from the Shôwa period. Discreetly mounted on light-colored fabric, it unfolds its effect above all through the clarity of its composition and is exceptionally well suited as an elegant focal point in a calm, brightly designed room.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.