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Crow on a Plum Branch

Kakemono, unique work, 195 x 50 cm
Product number: 6099

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 195 cm
  • Width 50 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

With an alert gaze and a slightly tilted head, this crow sits on a gnarled plum branch, whose first delicate blossoms announce the approaching spring. The black plumage is rendered with strong, broad brushstrokes, while the orange beak and the equally colored legs lend a warm accent to the otherwise monochrome depiction. The clear, reduced pictorial language draws the eye entirely to the presence of the bird and the fine linework of the branches.

The painting is executed on paper and was created in the Shôwa period. The jikusaki made of bone completes the careful mounting of the hanging scroll. The combination of crow and plum blossom is a classic motif of Japanese kacho-ga painting and refers to the transition from winter to spring, when the first blossoms appear despite the winter cold.

The reduced, powerful depiction makes this kakemono an evocative collector's piece for lovers of classical Japanese ink painting and for all who appreciate a calm, nature-connected pictorial language in their home.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.