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Crow

Kakemono, unique work, 185 x 46 cm
Product number: 6199

Sold – no longer available

This piece was handmade by Ishirei Okada and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 185 cm
  • Width 46 cm
  • Item Type Kakemono
  • Jikusaki Sculpture
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Signature / Stamp:
Ishirei Okada
Sold

No longer available

Description

A single crow sits on a gnarled branch, modeled with just a few dense layers of ink in such a plastic manner that the dense, silkily shimmering plumage becomes almost tangible. The alert gaze and the slightly tensed posture lend the bird a quiet presence that carries the entire image.

The Crow is painted on paper and bears the signature and seal of Ishirei Okada from the Shôwa period. In Japanese art and mythology, crows are regarded as clever, often mysterious messengers and became, in the painting of the Edo and Meiji periods, a distinct and highly esteemed subject that demands great painterly mastery in the handling of ink.

The roller of the hanging scroll is fitted with fittings made of plastic. With its reduced, powerful pictorial language, this work takes its place within a long tradition of Karasu painting and is an impressive addition for collectors of classical Japanese ink painting.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.