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Enso – Meditative Circle

Kakemono, unique work, 120 x 61 cm
Product number: 6162

Sold – no longer available

This piece was handmade by Muneyoshi Hazama and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 120 cm
  • Width 61 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Signature / Stamp:
Muneyoshi Hazama
Sold

No longer available

Description

This Enso appears calm and self-contained, its circular form created with an even, almost floating stroke of the brush. The application of ink shifts between rich black and light, almost translucent areas, so that the single movement of the brush remains traceable across the entire surface – testimony to a concentrated, meditative painting practice.

As one of the most important symbols of Zen Buddhism, the Enso points to the emptiness from which everything simultaneously arises, as well as to the transience and perfection of the moment. In the tradition of Zen calligraphy, painting an Enso is considered less an artistic exercise than a spiritual practice, in which the inner state of the painter is directly reflected in the image.

The work is signed and sealed by Muneyoshi Hazama. Simply mounted, the piece leaves the circle the greatest possible space and is suited as a quiet, powerful accent for minimalistically designed rooms or as a gift for special, contemplative occasions.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.