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Falcon on the Hunt

Kakemono, unique work, 194 x 77 cm
Product number: 5878

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 194 cm
  • Width 77 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Silk
  • Period of Creation Meiji (1868–1912)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

A heavy, dark veil of clouds made of broad ink strokes drifts across a glowing red sun disk, against which a falcon in a steep dive is silhouetted. With wings folded and an alert gaze, the bird appears to plunge straight toward its target, while a calligraphic inscription at the right edge of the image lends the motif additional depth. The composition draws its life from the contrast between the calm, warm expanse of the sun and the energetic sweep of the ink clouds above it – a popular subject in Japanese falcon and hunting painting, symbolizing strength, determination, and vigilance.

The motif was painted by hand on fine silk, which has since taken on the warm, honey-colored tone of aged hanging scrolls, lending the subject an additional atmospheric patina. The picture support dates from the Meiji period and displays the free, impasto-like ink technique typical of this era, combined with delicate accents of color.

As a hanging scroll in the classic kakemono format, the work can be easily hung and stored away again, making it suitable both for permanent display and for seasonal rotation in the tokonoma. For collectors of Japanese painting, this unique work offers an expressive example of classic falcon iconography.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.