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Farmhouse by the River in Mountain Mist

Kakemono, unique work, 184 x 60 cm
Product number: 3787

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 184 cm
  • Width 60 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
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No longer available

Description

Nestled between gently rising hills stands a thatched-roof farmhouse, embedded in dark conifer groves, while behind it blue-gray mountain peaks dissolve into dense morning mist. Along the river winding along the lower edge of the composition, a small boat with a figure can be made out, adding an element of human life to the scenery and opening a path into the depth of the image for the viewer.

The coloring is restrained and atmospheric: muted tones of green, blue, and earth merge with the misty passages, so that the boundary between solid form and diffuse haze remains deliberately blurred in places. This painting technique creates a palpable stillness and makes the landscape appear like a fleeting moment, just perceived. Signature and red seal are placed in the lower right.

Executed on paper and mounted in a warm, ochre-colored silk border with a delicate diamond pattern, this work dates from the Shôwa period. Such tranquil village and river landscapes are among the most popular motifs in Japanese landscape painting and convey a sense of rural tranquility that still resonates directly today.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.