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Floral Abundance with Camellia and Chrysanthemum

Kakemono, unique work, 215 x 72 cm
Product number: 3765

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 215 cm
  • Width 72 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
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No longer available

Description

Against a deep golden-brown ground, a lush bouquet unfolds of white peonies, bright red camellias, yellow and purple chrysanthemums, as well as delicate asters and iris leaves along the lower edge of the composition. The dark leaves and stems are rendered in dense, almost heavy ink, lending the composition a rich, autumnal depth from which the bright blossoms shine forth with vigor.

Bringing together this abundance of different flower varieties, which in nature bloom at different times, within a single image follows the classical tradition of Hyakka painting, in which the diversity and richness of nature as a whole are celebrated. The signature and red seal are placed at the lower left and attest to the careful, finely detailed execution of this work.

Please note that the upper mounting of this hanging scroll shows age-related damage, which, however, does not diminish its character as a well-seasoned collector's piece. The painting on paper is bordered by an ochre-colored silk mounting with a floral leaf pattern and was created in the Shôwa period – a splendid, richly colored hanging scroll for lovers of classical Japanese flower painting.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.