Skip to main content Skip to search Skip to main navigation

Flying Wild Goose

Kakemono, unique work, 186 x 51 cm
Product number: 3968

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

You might like these pieces

Details about the sold piece

  • Height 186 cm
  • Width 51 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

With outstretched wings, a wild goose glides diagonally through the pictorial space, its neck lowered, its orange-red feet already angled for landing. The artist built up the plumage with a few confident brushstrokes in gray and brown tones, capturing the dynamism of flight impressively. Below the goose appears a gnarled branch with red-tinted autumn foliage, hinting at the season and giving the composition a calm counterpoint to the bird's movement.

The wild goose is among the popular motifs of autumn in Japanese painting: as a migratory bird, it stands for departure, expanse, and the change of seasons. The Kakemono was painted in the Shôwa period on fine silk, which lends the image a warm, slightly patinated tone. The picture support is mounted on wood in the classical manner.

The hanging scroll is excellently suited both for collectors of traditional Japanese bird painting and for anyone who wishes to lend their home a touch of Far Eastern tranquility with an atmospheric nature motif. The combination of lively movement and autumnal stillness makes this work a versatile eye-catcher.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.