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Gnarled Plum Blossom in Moonlight

Kakemono, unique work, with box, 168 x 47 cm
Product number: 5914

Sold – no longer available

This piece was handmade by Kano Yoshinobu and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 168 cm
  • Width 47 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
  • Wooden Box Yes
Signature / Stamp:
Sold

No longer available

Description

This impressive hanging scroll dates from the Shôwa period and depicts, with few but powerful ink strokes, an old, gnarled plum branch before a delicately suggested moon. The tree winds through the composition in dramatic curves, its branches bearing only scattered open blossoms, which further heightens the impression of age and tenacious vitality.

This reduced, calligraphic style of painting stands in the tradition of Suibokuga ink painting, in which the force of a single brushstroke determines light and shadow, proximity and distance. The contrast between the light background and the dark, energy-laden branches makes the work an impressive example of this art form.

The painting bears the signature and seal of Kano Yoshinobu and is delivered including a separately signed wooden box. Painted on silk, the painting rests on a roller rod made of bone. An expressive hanging scroll for collectors who appreciate the reduced formal language of classical ink painting.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.