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Gnarled Plum Tree in Blossom

Kakemono, unique work, 202 x 52 cm
Product number: 4870

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 202 cm
  • Width 52 cm
  • Item Type Kakemono
  • Jikusaki Sculpture
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

Executed in pure ink painting, this kakemono, titled "Gnarled Plum Tree in Blossom", shows an old, gnarled plum tree whose weathered trunk pushes across the picture surface like a rock. Delicate blossoming branches, suggested with only a few brushstrokes, break forth from the dark wood – a popular motif in Japanese painting that heralds the beginning of spring and the force with which new life springs even from old wood.

Above the tree crown, a poem on the blooming plum is applied in powerful, flowing calligraphy, accompanied by two red seal impressions that lend the sheet a personal, signature-like character. The reduced use of ink and the contrast-rich juxtaposition of the massive trunk and the delicate blossoms create a calm, almost contemplative effect.

The picture is painted by hand on paper and dates from the Shôwa period. The scroll is fitted with jikusaki made of plastic and is suited both for traditional presentation in the tokonoma and as a stylish wall picture in modern rooms.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.