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Gnarled Plum Tree

Kakemono, unique work, 193 x 40 cm
Product number: 6111

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 193 cm
  • Width 40 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

Against a pale, barely washed background rises a gnarled, old plum tree, its twisted trunk telling of the traces of many years. Delicate red blossoms set luminous accents along the sparingly drawn branches, while at the foot of the tree a small figure with a straw hat and walking stick pauses, as if contemplating the first harbingers of spring.

The plum tree, which blooms already in the depths of winter, has long been regarded in Japan as a symbol of endurance, resilience, and quiet new beginnings after times of hardship. The gnarled, almost sculptural form of the trunk stands in appealing contrast to the delicacy of the blossoms, lending the composition a particular tension between hardness and fragility.

The restrained, expansive pictorial composition with much open space gives the motif calm and breath, entirely in the spirit of classical Japanese ink painting. Mounted on light-colored fabric with a narrow border, the kakemono dates from the Shôwa period and makes a stylish companion through the spring months.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.