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Hina Dolls

Kakemono, unique work, 150 x 50 cm
Product number: 3720

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 150 cm
  • Width 50 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

Delicate and almost miniature in scale, two courtly figures are depicted here in the style of Hina Dolls, as they are traditionally displayed for the Girls' Festival (Hinamatsuri) in March. The front figure wears a purple-red robe ensemble with a floral pattern, while the rear, larger figure is wrapped in a bright pink outer robe with pine decor and adorned with a small crown.

The colors are applied in fine, glazing layers, while the contours of the faces and hairstyles were precisely traced with the thinnest of brushes – a painting technique that requires much patience and a sure eye. The figures are surrounded by a generous, almost empty picture field, causing the small scene to float like a precious miniature at the center of the image.

The painting on paper is framed by a pink silk border with a delicate diamond pattern and a moss-green outer silk, created in the Shôwa period. Scattered small age spots in the paper bear witness to the time this hanging scroll has already passed through. Motifs related to Hinamatsuri are rarely found in the trade, making this piece an original, festive-looking collector's item.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.