Skip to main content Skip to search Skip to main navigation

Hotei with Two Roosters and Inscription

Kakemono, unique work, with box, 186 x 53 cm
Product number: 5423

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

You might like these pieces

Details about the sold piece

  • Height 186 cm
  • Width 53 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Silk
  • Period of Creation Meiji (1868–1912)
  • Technique Hand-Painted
  • Unique Work Yes
  • Wooden Box Yes
Sold

No longer available

Description

With a round belly, a broad smile, and his characteristic sack slung over his shoulder, Hotei appears, one of the Seven Lucky Gods and a symbol of contentment, abundance, and generosity. At his feet, two roosters peck at the ground, while a calligraphic inscription above the scene tells of his legend, according to which he bestows his bundle full of luck upon the whole earth.

The figure is painted in warm, earthy tones on silk, with soft contours that emphasize Hotei's good-natured character and lend his face an almost mischievous expression. The inscription and seal in the upper left add further depth to the work; it dates from the Meiji period and is thus among the older pieces of its kind.

The kakemono is delivered in a wooden box (tomobako) signed by the artist, mounted with wooden rollers. A cheerful, auspicious motif, ideally suited for the living space or as a special gift, bringing good spirits into any room.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.