Skip to main content Skip to search Skip to main navigation

Kingfisher Hunting

Kakemono, unique work, 192 x 61 cm
Product number: 5697

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

You might like these pieces

Details about the sold piece

  • Height 192 cm
  • Width 61 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

In a steep dive between swaying reed stalks, the kingfisher in this kakemono is captured in the moment of the hunt – wings spread wide, gaze fixed on its target. The fine brushstrokes of the reed leaves create a movement that lends dynamism to the scene despite the stillness of the image.

At the lower edge of the image, white chrysanthemums bloom among the reeds, a classic motif of Japanese bird-and-flower painting (Kachô-ga) that combines observation of nature with decorative elegance. The scene was painted on silk, a material that lends a particular depth to the delicate color gradations of plumage and plants.

The jikusaki at the ends of the roller rods is made of wood and blends unobtrusively into the naturalistic overall effect of the work. This kakemono from the Shôwa period is a fine example of Japanese nature painting and an enrichment for any collection of Asian art.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.