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Kingfisher in a Dive

Kakemono, unique work, with box, 202 x 53 cm
Product number: 6473

Sold – no longer available

This piece was handmade by Otaki Uzan and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 202 cm
  • Width 53 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
  • Wooden Box Yes
Signature / Stamp:
Sold

No longer available

Description

Mid-flight – wings spread wide, the long beak aimed at a target – a kingfisher appears in the moment of highest concentration just before the dive. The colorful precision of detail on the bird, with its metallic shimmering blue-green, the warm brown of its underside, and its delicate red feet, forms an appealing contrast to the generous emptiness of the background. In the lower area, loosely placed bamboo stalks and a small group of finely painted blossoms frame the scene without diminishing the effect of the flying bird.

The composition unfolds its strength through the interplay of movement and stillness: the dynamically depicted bird seems to fairly cut through the wide, calm pictorial space. The depiction is accompanied by a calligraphic inscription that lends the work an additional literary quality.

The painting bears the signature and seal of Otaki Uzan and was created in the Showa period. Painted on washi paper and mounted in a sea-green brocade frame, this hand-painted unique work is complemented by a signed wooden box.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.