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Moonlight over Blossom Branches

Kakemono, unique work, 183 x 59 cm
Product number: 6306

Sold – no longer available

This piece was handmade by Mōri Baiyū and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 183 cm
  • Width 59 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Signature / Stamp:
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No longer available

Description

This atmospheric kakemono captivates through its harmonious combination of delicate blossoms and a gentle moon that hovers over the scene like a silent observer. The artist Baitomo has captured the beauty and transience of spring with a sure hand and a fine sense of aesthetics. The white blossoms with delicate pink centers seem to positively glow in the soft moonlight, exuding a subtle, calming elegance.

The masterful execution on fine silk emphasizes the subtle nuances and the refined brushwork typical of high-quality Japanese painting of the Showa period. The carefully crafted wooden jikusaki complement this extraordinary work of art in a traditional manner, rounding off its authentic grace with style.

Ideally suited as a meditative focal point for living rooms or rooms of rest, this kakemono lends your space an atmosphere of deep tranquility and contemplative beauty. An artful unique work that will delight lovers of traditional Japanese art as well as friends of fine, understated elegance alike.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.