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Mountain Landscape with Anglers

Kakemono, unique work, 179 x 51 cm
Product number: 4224

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 179 cm
  • Width 51 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

This mountain landscape, finely painted on silk, dates from the Shôwa period and leads the viewer from a distant, mist-shrouded peak across wooded hills down to a shore where two small figures of anglers are seated. The calligraphic inscription at the upper edge of the picture adds a literary dimension to the composition, as is often found in Chinese-influenced sansui painting.

The artist works with fine washes in gray and brown tones that lend atmospheric density to the mist between the mountain ranges, while pines and rocky outcrops are accentuated with brief, deliberate brushstrokes. At the lower right, the painting bears the artist's signature and red seal. The jikusaki ends are made of bone, the honshi of silk.

Motifs such as this one, which celebrate retreat into nature and the simple life by the water, are among the classic themes of East Asian literati painting. The hanging scroll "Mountain Landscape with Anglers" is well suited to lovers of traditional landscape art who appreciate a calm, harmonious composition.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.