Skip to main content Skip to search Skip to main navigation

Mountain Massif in Morning Mist

Kakemono, unique work, with box, 128 x 62 cm
Product number: 5408

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

You might like these pieces

Details about the sold piece

  • Height 128 cm
  • Width 62 cm
  • Item Type Kakemono
  • Jikusaki Sculpture
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
  • Wooden Box Yes
Sold

No longer available

Description

A massive mountain range rises out of billowing morning mist, while small birds move through the air in the distance. At the lower edge of the image, dark pine silhouettes reach into the picture, providing a grounding counterpoint to the light, almost weightless mountain peaks that seem to float in the hazy white of the sky.

Using loosely applied, broad ink washes on silk, the painter achieves an almost impressionistic effect that stands in clear contrast to strictly linear landscape painting. Rather than fine detail, it is the surface that dominates, from which forms only emerge on closer inspection. The small signature and red seal at the right edge of the image place the work in the Shōwa period.

The kakemono comes in a wooden box (tomobako) signed by the artist and is mounted with brown borders and runners made of synthetic fabric. An evocative piece for anyone who appreciates reduced, atmospheric landscape painting and wishes to lend their own home a quiet sense of expanse, without relying on color or an abundance of detail.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.