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No-Mind on the Great Way – Zen Calligraphy, Olive Mounting

Kakemono, unique work, with box, 176 x 36 cm
Product number: 6450
  • Height 176 cm
  • Width 36 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Heisei (1989–2019)
  • Technique Hand-Painted
  • Unique Work Yes
  • Wooden Box Yes
Signature / Stamp:

€690.00

Available, delivery time: 1-3 Days

Description

The five powerful characters "Mu-shin ki dai-dō" (No-Mind on the Great Way) trace across the pale paper in energetic, flowing strokes, radiating a deep, immediate presence. The thick, dynamic brushstroke reveals traces of ink and movement, while the generous empty space lets the words breathe and reinforces their message. This calligraphy embodies a central Zen wisdom: the state of "mu-shin," in which the mind is free of distractions and the natural, great way can unfold.

The work bears the signature and seal of Kobayashi Taigen, a contemporary Zen master and calligrapher who serves as abbot of Obai-in at Daitoku-ji temple in Kyoto. In the Heisei era and beyond, he maintains the tradition of Zen calligraphy with a direct, powerful mode of expression that is often used in meditation rooms, tea ceremonies, and spiritual occasions. His works combine technical mastery with spiritual depth and invite the viewer to their own inner stillness.

Written on paper, the calligraphy displays an intense blackness of ink with fine gradations and spontaneous accents that capture the vividness of the moment. The wooden jikusaki frame the piece traditionally and warmly, and it is presented with a signed wooden box. This hand-written unique work brings the clear, meditative power of the Zen tradition into any room and is especially suited to those who value Japanese calligraphy as a source of mindfulness and inspiration.

Frequently asked

Yes, this work is delivered with a wooden box.
Yes, this piece carries the signature or seal of Kobayashi Taigen
Based on the previous owners' information and the condition of the object we place it broadly in the Heisei (1989–2019) period, but cannot give a precise date.
Yes, this piece is a genuine handcrafted original that exists only once.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.

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