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Owl on Gnarled Branch with Autumn Leaves

Kakemono, unique work, with box, 168 x 57 cm
Product number: 5902

Sold – no longer available

This piece was handmade by Kano Shūshin and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 168 cm
  • Width 57 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
  • Wooden Box Yes
Signature / Stamp:
Sold

No longer available

Description

Watchful and with wide-open eyes, a spotted owl with distinctive feather tufts looks down from a gnarled branch, while in the background an autumn-colored twig lightens the pictorial field. The fine, dotted plumage rendering and the shimmering brown tones lend the nocturnal bird a mysterious yet dignified presence – a motif that does justice to the owl as a symbol of wisdom and protection.

The hand-painting was created on fine silk and dates from the Shôwa period; the carefully executed feather rendering suggests an experienced painter of the kachô-ga tradition. The hanging scroll is delivered including the accompanying wooden box, which served for proper storage and protection of the artwork.

With its calm, slightly mystical presence, this kakemono is particularly well suited as an atmospheric accent in the tokonoma or study. For collectors of Japanese animal painting, this hand-painted unique work with its striking owl motif is an appealing addition.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.