Pair of Cranes Between Pine Branches in Sepia Tones

Name: Pair of Cranes Between Pine Branches in Sepia Tones
Brand: Murata Tōho
SKU: 6322
Price: 390.00 EUR
Availability: InStock

Kakemono, unique work, 195 x 62 cm

Product number: 6322

Height 195 cm
Width 62 cm
Item Type Kakemono
Jikusaki Wood
Material Honshi Paper
Period of Creation Meiji (1868–1912)
Technique Hand-Painted
Unique Work Yes

Signature / Stamp:

Murata Tōho

€390.00

Available, delivery time: 1-3 Days

Description

This impressive kakemono from the Meiji period depicts two elegant cranes lingering beneath spreading pine trees, rendered in fine, natural colors on paper. The cranes, traditionally revered as symbols of longevity and good fortune, are depicted here with remarkable attention to detail and, at the same time, a lively lightness. Their springy plumage, the bright red heads, and the delicate legs blend harmoniously into the stylized landscape, which is rounded out by the flowing lines of the pine branches.

The work bears the seal of Murata Toho and is an authentic example of the high artistry of this era. The wooden jikusaki frame the image in the traditional manner and emphasize its elegant simplicity. The restrained color palette and masterful brushwork allow the eye to keep discovering new details and lend the work a timeless quality.

This kakemono is suitable not only as a decorative accent but also as a meaningful art object embodying values such as harmony, constancy, and beauty. It appeals to art lovers who seek the authentic and who value Japanese painting as a quiet yet powerful means of expression.

Frequently asked

Does this work carry a seal or signature?

Yes, this piece carries the signature or seal of Murata Tōho

When was the work created?

Based on the previous owners' information and the condition of the object we place it broadly in the Meiji (1868–1912) period, but cannot give a precise date.

Is this genuine craftsmanship?

Yes, this piece is a genuine handcrafted original that exists only once.

Why does the date of creation sometimes not match the artist's dates

Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.