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Pavilion under the Old Pine

Kakemono, unique work, with box, 205 x 110 cm
Product number: 5367

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 205 cm
  • Width 110 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
  • Wooden Box Yes
Sold

No longer available

Description

Beneath a mighty, gnarled pine, several scholars gather on a terrace by the water in this large-format kakemono, while a crane stands beside them and, in the background, a waterfall plunges over rugged rocks. At the left edge of the picture, servants can be seen going about their daily work, lending the scene a narrative depth rarely combined within a single image.

The motif follows the Chinese tradition of mountain reclusion, in which scholars devote themselves to quiet life in nature, far from worldly bustle. The fine, multilayered coloring and the wealth of detail testify to extraordinary painterly skill.

The work is painted on paper, the jikusaki is made of wood, created in the Shôwa period. This kakemono in XXL format comes in a wooden box (tomobako) signed by the artist and, through its size and wealth of detail, is a particularly striking eye-catcher for generous walls.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.