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Peony and Plum Blossom

Kakemono, unique work, 185 x 60 cm
Product number: 3758

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 185 cm
  • Width 60 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

A large, opening peony in delicate pink forms the center of this vivid floral composition, surrounded by lush green foliage that is rendered plastically with fine, dark contour lines. From above, a gnarled plum branch with white blossoms and bright red berries descends into the picture, while at the lower edge, narrow blades of grass with small blue and white flowers complete the scene.

The coloring is deliberately bold yet harmoniously balanced: warm pink, rich green, and individual red accents interplay against a softly yellowish ground. Uniting this abundance of different blossoms from various seasons in a single composition demands of the painter a sure sense of pictorial structure and color harmony, which has been achieved here with palpable ease.

Signature and red seal at the lower right confirm the authorship of this painting on paper, which is framed by a dark, finely patterned border with a scale motif as well as a beige outer silk. The work dates from the Shôwa period and, through its cheerful, blooming coloring, is especially well suited to bringing brightness and vitality into a living space.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.