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Pheasants at the Cherry Tree

Kakemono, unique work, with box, 215 x 57 cm
Product number: 5599

Sold – no longer available

This piece was handmade by Mano Kamura and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 215 cm
  • Width 57 cm
  • Item Type Kakemono
  • Jikusaki Ceramics
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
  • Wooden Box Yes
Signature / Stamp:
Mano Kamura
Sold

No longer available

Description

This elaborately designed kakemono dates from the Shôwa period and depicts a magnificent pheasant with a bright red face and iridescent, orange-green patterned plumage standing on a moss-covered rock. Its long, banded tail cascades over the stone in elegant curves, while a second, lighter-colored pheasant can be seen in the lower part of the image.

Above the rock, a flowering cherry tree opens its delicate pink and white blossoms, complemented by pink lilies at the base of the stone – a classic combination of spring blossoms and proud plumage symbolizing prosperity and beauty. The painting bears the signature of Mano Kamura.

This kakemono comes in a wooden box and is painted on silk, mounted in delicate, blue-green patterned silk fabric with roller rods made of ceramics. A particularly detailed, richly colored unique work of Japanese bird-and-flower painting.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.