Skip to main content Skip to search Skip to main navigation

Plum Blossoms in Moonlight

Kakemono, unique work, 170 x 47 cm
Product number: 5910

Sold – no longer available

This piece was handmade by Mōri Baiyū and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

You might like these pieces

Details about the sold piece

  • Height 170 cm
  • Width 47 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Signature / Stamp:
Sold

No longer available

Description

Against a softly blurred lunar disc, a gnarled plum branch rises in this kakemono over a pale yellow silk ground, its few blossoms suggested in fine ink lines. The painting draws its life from restraint: bands of clouds in warm ochre tones frame the full moon, while the branch, with a few confident brushstrokes, suggests movement and growth. Beside the composition are a short inscription and a red seal, lending the image its personal touch.

The motif of the plum in bloom before the moon is among the most beloved subjects of Japanese painting and stands for the arrival of spring as well as for constancy amid the cold of winter, since the plum tree is among the first to bloom. As a New Year's motif, it joins observation of nature with a deeply rooted cultural symbolism.

The work bears the signature or seal of Mori Umetomo and dates from the Shôwa period. Paper serves as the support for the painting, and the hand-painted work rests on wooden axis rods. An evocative collector's piece for lovers of traditional Japanese ink painting, suited equally as tokonoma decoration or as a wall hanging.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.