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Plum Blossoms over the Rock in Ink

Kakemono, unique work, 132 x 48 cm
Product number: 3724

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 132 cm
  • Width 48 cm
  • Item Type Kakemono
  • Jikusaki Sculpture
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

A gnarled plum trunk formed of gray ink winds upward from the lower edge of the picture, while its branches ramify into the open picture space in fine, tension-filled lines. Scattered yellowish flower buds set delicate touches of color amid the otherwise monochrome branches, and a small yellow bird has settled on one of the upper branches.

To the right of the tree, a multi-line poem in elegant calligraphy has been added, lending the picture a literary dimension, as was customary in classical Chinese-Japanese painting. Signature and red seal at the upper right edge of the picture confirm the authorship. The early-blooming plum tree is regarded in Japan as a symbol of perseverance and approaching spring, as it blooms even before the leaves emerge and often in the last snow.

The painting on paper is set within an olive-green silk border with a fine scrolling vine pattern and gold decorative stripes; the work was created in the Shôwa period. This combination of ink painting and poem makes the hanging scroll an atmospheric example of scholarly Japanese landscape art, ideally suited for display in spring.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.