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Plum Tree in Moonlight

Kakemono, unique work, 184 x 51 cm
Product number: 3850

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 184 cm
  • Width 51 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

A quiet, almost nocturnal atmosphere surrounds this kakemono: against a large, milky shimmering full moon, the gnarled branch of a blossoming plum tree stands out, its delicate blossoms emerging gently from the muted gray-beige tone of the surroundings and lending the image an almost floating lightness, while individual birds can be glimpsed among the branches.

The plum tree is considered one of the first blossoms of the year and symbolizes perseverance and new beginnings in Japan, while the full moon lends the scene a calm, poetic note, one equally cherished in classical poetry and painting. A calligraphic inscription with a red seal completes the composition at the upper edge of the image.

Painted on paper, fitted with axis ends made of bone, and dating from the Shôwa period, this hand-painted unique work is an evocative example of classical Japanese nocturnal landscape painting, appearing especially striking through its restrained, finely graduated coloring and radiating calm reticence. Such night motifs were considered particularly suited to the cooler months and were placed in the tokonoma accordingly.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.